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- “Nothing Issues”
- “Sinner”
- “My Girl of Mercy”
From the second the 5 members of The Final Dinner Celebration first banded collectively, their plan was firm.
“All of us aligned with desirous to attempt actually laborious and actually see if we might do that correctly,” says vocalist Abigail Morris through the band’s go to to World Cafe‘s studio. “That is why we put loads of thought into it earlier than we even performed our first present — how we wished to look and, not technique, however how we wished to be, as a band.”
To date, that plan has been paying off for the London band. They’ve opened for The Rolling Stones and Florence + the Machine. They’ve carried out at Glastonbury, and most not too long ago, the indie rock outfit nabbed the 2024 BRIT Award for rising star.
The Final Dinner Celebration’s Emily Roberts (from left), Lizzie Mayland, Abigail Morris, Aurora Nishevci and Georgia Davies
Cal McIntyre/Courtesy of the artist
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Cal McIntyre/Courtesy of the artist
That early success — all earlier than the band has even launched a full-length debut album — has led some folks to accuse The Final Dinner Celebration of being an business plant.
“I’ve had folks message me, being like, ‘Did you really write and play the guitar solo on ‘Nothing Issues’?’ ” says guitarist Lizzie Mayland. “Like, yeah. Why would not I’ve? We’re a band. That is what we do. That did annoy me quite a bit.”
As you will see in at this time’s session, the band is not letting that drained label cease them from killing it on stage. They stopped by WXPN throughout their very first American tour to speak about Prelude to Ecstasy, their debut album due out on Feb. 2, 2024, plus why they take a lot care in curating their dwell reveals.
“It heightens the sense of neighborhood and the world that we’re inhabiting,” Morris says. “A form of prolonged universe that the viewers can also be concerned in, so it makes it really feel extra theatrical and emotional — like we have all come to this occasion collectively.”
Additionally, be sure that to remain tuned for an prolonged model of this session after Prelude to Ecstasy comes out subsequent yr.
This episode of World Cafe was produced and edited by Kimberly Junod. The net story was created by Miguel Perez. Our engineer is Chris Williams. Our programming and reserving coordinator is Chelsea Johnson and our line producer is Will Loftus. World Cafe‘s government producer is Bruce Warren.
