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Patricia Caulfield, who throughout her time as a high editor at Trendy Pictures journal within the Nineteen Sixties efficiently sued Andy Warhol for misappropriating an image she product of hibiscus blossoms, then left the publication to grow to be an acclaimed nature photographer, died on July 16 in Manhattan. She was 91.
Her loss of life, at an assisted residing facility, was confirmed by her sister, Kathleen Corridor, her solely speedy survivor.
After a few decade at Trendy Pictures, Ms. Caulfield grew to become its government editor in about 1964. Her photograph of an association of blossoms taken in Barbados appeared with an article within the June challenge that yr.
Warhol quickly known as the journal wanting to purchase the photograph however felt the value was too excessive. In accordance with the lawsuit, which Ms. Caulfield filed in November 1966, he then clipped the image from the journal, cropped it and produced silk display work from it for what grew to become his “Flowers” sequence, first proven on the Leo Castelli Gallery in Manhattan in November 1964.
“He didn’t suppose it might be an enormous factor, however ‘Flowers’ offered like loopy,” Ms. Corridor stated in a cellphone interview.
As a part of a settlement that Ms. Caulfield and Warhol ultimately reached, he created two new “Flowers” work for her (the Castelli gallery would promote them for $6,000) and agreed to pay her a 25 p.c share of the royalties derived from a portfolio of “Flowers” prints.
She left Trendy Pictures in 1967, impressed partially by an article she had written in regards to the nature photographer Eliot Porter and by an article in The New York Occasions a few drought within the Everglades. It was the start of a contract profession, one which didn’t earn her a lot cash however fulfilled her as a photojournalist whose pictures mirrored her rising curiosity in wildlife and the atmosphere.
“I assume there’s the hope any individual may even see my pictures and suppose, ‘that’s an exquisite animal, perhaps it’s value making an effort to avoid wasting,’” she informed the Knight-Ridder Information Wire in 1977. “However at the very least I’m efficient in making a report of one thing earlier than all of it will get ruined.”
She started making journeys to the Everglades within the late Nineteen Sixties. One image reveals an alligator, illuminated by Ms. Caulfield, with its mouth open and framed by tall grass. One other is of a snail climbing a tree.
Her guide “The Everglades” (1970) offered 66 of her pictures and was accompanied by choices from the work of the author and naturalist Peter Matthiessen and an essay by John G. Mitchell, the editor in chief of the Sierra Membership, which printed the guide.
Reviewing the guide for The Miami Herald, John Pennekamp, a columnist and Everglades conservationist, known as the pictures “extraordinary” and wrote that its massive enchantment is “the weird circumstances beneath which the images should have been made.”
Patricia Marie Caulfield was born on March 17, 1932, in Chicago. Her household moved to New Hampton, Iowa, when she was within the second grade. Her father, John, was an ear, nostril and throat physician. Her mom, Marie (Schilling) Caulfield, was a nurse.
“As a toddler, I used to be very animal-oriented,” Ms. Caulfield stated in an interview in 1978 with Backpacker journal, which known as her “in all probability essentially the most profitable feminine nature photographer within the nation.” She added, “I had a secret picture — a jungle lady — and I wasn’t pleased in Iowa farm nation.”
She studied English and historical past on the College of Rochester, the place she appeared on a tv present by which the host, Beaumont Newhall, the curator of the George Eastman Home (now Museum), additionally in Rochester, taught her the fundamentals of pictures.
After graduating in 1953 with a bachelor’s diploma, she moved to San Francisco, the place she took pictures programs at evening on the Patri College of Artwork Fundamentals and labored in a digital camera retailer throughout the day. Her curiosity in photojournalism prompted her transfer to New York Metropolis, the place Trendy Pictures employed her as a secretary.
Ms. Caulfield rose although the journal’s ranks over 11 years or so till being named government editor. She was succeeded by Julia Scully, who died final month.
Ms. Caulfield’s travels, for Trendy Pictures and different publications, took her to Cambodia, the Galápagos Islands, Suriname, Guatemala, India, the Grand Canyon and the Ocklawaha River in Florida. Her work additionally appeared within the magazines Nationwide Geographic, Audubon, Smithsonian, Nikon World, Pure Historical past and The American Sportsman.
Her different books embody “Photographing Wildlife: Strategies for Portraying Animals in Pure Habitats” (1988) and “Capturing the Panorama With Your Digital camera: Strategies for Photographing Vistas and Closeups in Nature” (1967).
She not too long ago donated her photographic archive to the Dolph Briscoe Heart for American Historical past on the College of Texas at Austin.
“She captured the Everglades at a degree that we might by no means understand it once more,” Newell Turner, a pal, stated in a cellphone interview. He added, “It was fairly radical, as a lady at the moment, to get deeply into the group of alligator hunters.”
Ms. Caulfield moved away from publishing pictures within the late Eighties, feeling “a scarcity of a assist system within the discipline, particularly as a lady,” in response to her Briscoe Heart biography. She enrolled on the Metropolis College of New York Graduate Heart, the place she spent a few decade finding out biology however didn’t end her Ph.D.
“She wasn’t essentially pursuing a level,” Mr. Turner stated. “She was finding out as a result of it was her ardour.”
By means of practically all her profession, she was a lady in a person’s world.
“Most people within the discipline are males, and so they suppose girls shouldn’t be doing what I’m doing,” Ms. Caulfield informed Backpacker. “That’s an impediment.”
